Archive for the ‘Visitors’ Category

Lecture: Corey Madden

Lecture: Corey Madden: Artist as Leader
Wednesday, October 30 at Noon
Lamar Dodd Building Room S160

Corey Madden is an award-winning writer and director, Executive Director of the Kenan Institute for the Arts, and a faculty member at the University of North Carolina School of the Arts. At the Kenan Institute for the Arts Madden directs strategic initiatives that creatively blend the arts, enterprise, and innovative practice to positively impact the lives and careers of artists. Three programmatic themes — Creative Leaders, Creative Campus, and Creative Community — feature programs and projects that provide training and access for artists to develop and achieve their highest potential. Madden produces the interview series, “The Artist as Leader,” and teaches a course of the same name.

www.uncsa.edu/kenan/

www.uncsa.edu/kenan/artist-as-leader/

Screening and Discussion: Hidden Rivers

Screening and discussion: Hidden Rivers
Wednesday, April 17 at 6:30 PM
Cine, 234 W. Hancock Ave.

Trailer: vimeo.com/66103145

Hidden Rivers is a new feature-length film that explores the rivers and streams of the Southern Appalachian region, North America’s most biologically rich waters. The film follows the work of conservation biologists and explorers throughout the region and reveals both the beauty and vulnerability of this aquatic life and how many people are finding ways to protect it.

Presented with a light hors d’œuvre reception catered by The National, gallery viewing of photos from Freshwaters Illustrated, and a panel discussion following the screening with the filmmaker, southeastern aquatic conservation professionals, and local interdisciplinary arts researchers. The event is being held in conjunction with the biennial Georgia Water Resources Conference.

The film was produced and directed by Jeremy Monroe of Freshwaters Illustrated, a nonprofit organization dedicated to raising awareness about aquatic ecosystems through photography, video and film.

“We worked for nearly ten years to make an immersive film that would give audiences a deep dive into the river ecosystems of Southern Appalachia, along with a glimpse of the species and habitat conservation work that is happening throughout the region,” said Monroe. “Our hope is that this film will inspire more conversations about river and water conservation in the Southeast, and that river conservation groups will use the film as a way to enlighten and broaden their own communities.”

The program will begin in the Cine Lab at 6:30 with a reception and gallery viewing of Freshwaters Illustrated photographs. Hidden Rivers will be shown at 7:30, followed by a Q&A session featuring Monroe, southeastern aquatic conservation professionals and local interdisciplinary arts researchers. Confirmed panelists include Bernard Kuhajda, science program manager for the Tennessee Aquarium Conservation Institute; Bud Freeman, director of the Georgia Museum of Natural History; Alex Lamle, aquatic biologist with The Nature Conservancy and Abigail West, a student in the Lamar Dodd School of Art and intern with the UGA office of Sustainability.

Support for the event was provided by the Johnson Family Foundation and co-sponsored by the Georgia Water Resources Conference and the University of Georgia’s River Basin Center, Office of Sustainability, and Ideas for Creative Exploration.

Tickets are $5 per person and are available at the Ciné box office or online at:
athenscine.com/movie/hidden-rivers

Indonesian Artist Made Bayak Weaves Cosmology with Sociopolitical Issues

March 27, 2019
Flagpole Magazine
By Jessica Smith
link to original article

Indonesian Artist Made Bayak Weaves Cosmology with Sociopolitical Issues

One of Bayak’s most complicated trajectories concerns the Indonesian genocide of 1965, which targeted accused communists and led to the establishment of the authoritarian New Order regime. Approximately 5 percent of the population of Bali was executed, paving the way for new investments and hyper-development to swarm in. For decades, systemic silencing surrounding the genocide has prevented public discourse, but today, a loose coalition of activists, including Bayak, are working to collect oral histories, locate mass graves and uncover the truth.

Jazz Duo Explores the Intersection of Math and Music

March 27, 2019
Flagpole Magazine
link to original article

Jazz Duo Explores the Intersection of Math and Music
By David R. Adler

In comparing math and jazz, Miller and Schneiderman don’t want to suggest a “scientific” approach to music. Quite the contrary: They emphasize the creativity, collaborative ethos and search for beauty inherent in mathematics.

Math Plus Music

Math Plus Music: Marcus Miller and Rob Schneiderman
Friday, March 29

4:30 PM
Colloquium/Conversation/Performance
Hugh Hodgson School of Music, Dancz Center (Room 264)

8 PM
Jazz Performance
Hendershot’s Coffee Bar, 237 Prince Ave.

In live musical performance and open discussion, Marcus Miller and Rob Schneiderman demonstrate/explain analogies between the dynamics of the discovery/creation/learning of both music and mathematics. As a consequence of the abstract natures of music and mathematics these analogies can provide insight into other human disciplines.

Marcus Miller graduated from Harvard University with a degree in mathematics. After a stint working for a hedge fund, he has since been traveling the world playing music, both leading his own groups as well as performing with jazz artists such as Grammy-nominated vocalist Jazzmeia Horn and Late Show musical director/pianist Jon Batiste. Miller has performed at the Obama White House, and has studied music production and engineering under grammy-winning sound engineer “Bassy” Bob Brockman (Notorious B.I.G, Herbie Hancock, D’Angelo). Miller has spoken at the New Jersey Association of Music Educators, and was noted as an Artist of Distinction by the State of New Jersey. He is the creator of theMath+Music Project, and is currently the host/creator of the Quadrivium series at New York’s Museum of Mathematics, while he continues to study and teach mathematics.

Rob Schneiderman joined the Lehman College CUNY department of mathematics faculty in 2006 after a busy career as a musician,including performances and recordings with jazz luminaries such has EddieHarris, James Moody, Charles McPherson, JJ Johnson, Jimmy Heath, Clifford Jordan, Art Farmer and Harold Land, as well as 10 recordings as a leader for the Reservoir Music label and a more recent Tone Twister release on the Hollistic MusicWorks label. In 2001 Schneiderman received a PhD in mathematics from UC Berkeley under the guidance of topology guru Robion Kirby, and before his current professorship at Lehman, he had postdoc positions at the Max-Planck-Institute for Mathematics in Bonn, NYU’s Courant Institute and UPenn. His research is focussed on studying 3-dimensional and 4-dimensional spaces. In addition to many research articles in mathematics journals, Rob’s musicomathematical essay “Can One Hear the Sound ofa Theorem?” was published in the Notices of the American Mathematical Society and in the collection Best Writing on Mathematics 2012, Princeton University Press.

Supported by the Willson Center for Humanities and Arts, Hugh Hodgson School of Music Jazz Program, Department of Mathematics, and Ideas for Creative Exploration.

Made Bayak Events

Made Bayak Events

Exhibition: New Gods/Old Gods
March 25-April 28
ATHICA, 675 Pulaski Street, Suite 1200
athica.org/updates/new-gods-old-gods/

Opening Reception
Monday, March 25 from 5 – 7 PM
ATHICA

Roundtable: Representations of Violence, Radical Storytelling, Art-based Activism, and Imaginative History-making
Wednesday, March 27 at 3 PM
Miller Learning Center, Room 350

This panel will include Made Bayak Muliana, Dr. Amy Ross (Geography), Dr. Betina Kaplin (Romance Languages),Dr. Peter Brosius (Anthropology), and Athens-based artist Broderick Flanigan. We seek to expand discussions on media-based representations of violent events that are unseen, destroyed, or silenced. Discussion on the process of curation and culmination of difficult or unsayable histories, as well as the consequences of their insertion into public spaces, will be conducted through a question and answer forum facilitated by Lamar Dodd graduate student Alden DiCamillo.

Made Bayak musical performance, featuring the artist, Killick, and other local musicians
Wednesday, March 27 at 7 PM
ATHICA

Made Bayak artist talk and performance art
“Radical Resilience within Visual Art-making (Art as Activism)”
Sunday, March 31 at 4 PM
ATHICA

Musical performance by Gamelan Chandra Natha Balinese gamelan ensemble
Tuesday, April 2 at 7 PM
ATHICA

Traditional Balinese Painting Workshop
Wednesday, April 3 at 2 PM
Lamar Dodd School of Art

Screening: “The Look of Silence”
Wednesday, April 3 at 5 PM
Lamar Dodd School of Art, Room S151

Youth Workshop, Art with Recycled Materials/Plasticology
Thursday, April 4 at 5:30 PM
Lyndon House Arts Center
Register: www.accgov.com/8670/Art-with-Recycled-Materials

Lake Herrick Eco-Art Festival
Saturday, April 6 Noon- 5 PM
Lake M. Allyn Herrick

Curators’ Talk by Peter Brosius, Sarah Hitchner, and Alden DiCamillo
“Old Gods//New Gods: Ethnographic Crossings: Culture and Violence”
Monday, April 8 at 5:30 PM
ATHICA

Made Bayak was born in 1980 in Tampaksiring, Gianyar Regency, Bali, Indonesia. He completed his studies at the Indonesian Institute of the Arts Denpasar in Denpasar, Bali, Indonesia in 2006. His work addresses the human devastation of the Indonesian genocide of 1965-66 and the environmental devastation of the Balinese island’s once-pristine environment caused by tourism-driven development and the lack of local awareness of best ecological practices. His methods include activism and social organization, teaching workshops, painting, drawing, sculptural objects, installations, performance art, and music performed with his heavy metal rock band Geeksmile.

Plasticology is an ongoing project in which he uses waste plastic to make art objects, paintings, and performances, as well as teaching Plasticology workshops to children and communities. In 2014, he was buried up to his neck by an excavator/backhoe during his performance at the Padang Galak Beach Tolak Reklamasi Art Event held to protest the Balinese government’s plan to develop the Benoa Bay to the benefit of outside commercial interests (Reklamasi Benoa). The populist movement ForBali (Tolak Reklamasi) calls for Bali to reject (tolak) this “reclamation” of the Benoa Bay. Nominated as a finalist in Singapore’s prestigious 2013 Sovereign Art Prize, Made Bayak continues to conduct his activist practice and to exhibit his works in Bali and, most recently, in Germany and Poland.

For more information about Made Bayak visit: madebayak.com

Sponsors: Athens Institute for Contemporary Art (ATHICA) with the support of The James E. and Betty J. Huffer Foundation and Creature Comforts Brewery, the Willson Center for Arts and Humanities, the UGA Department of Anthropology, the UGA Center for Integrative Conservation Research (CICR), Ideas for Creative Exploration, the UGA Office of Sustainability, Lamar Dodd School of Art, the Lyndon House Arts Center, and the ACC Solid Waste Department.